Introduction: My Writer's
Tale of Woe
' SLIDE-IT-YOURSELF' was a SCIFI CHANEL contest on their website, intended to simulate the process of pitching and writing loglines for scripts, as if for the final season of the TV show 'SLIDERS.' It started on a public bulletin board, where participants were supposed to pitch loglines. But the posts where not all necessarily so concise or lucid. In the next phase, the various at all usable pitches where sorted and grouped together by similar thematic categories, for further discussion, development and even what is sometimes called nominal brainstorming.
Lastly, I actually made it to the final round, by invitation, where teams where each supposed to develop competing outlines called beat-sheets, to complete the contest. But the moderator was shallow and overbearing and made serious work impossible by obstructively pandering to instigators. Indeed, when I finally asked for my regular Dominion "handle" to be removed and replaced with my protest nom de plume, well I was granted half of my request!
Yes, it's all true, I got locked out from the invitational "Stage 3" of the Sci-Fi Channel Dominion BBoard ' SLIDE-IT-YOURSELF' contest, not only for being too critical, but also, believe it or not, for actually being too prolific! No. Really. MORE
Yes, when they promised us a simulation of the Hollywood scriptwriter's experience, they never stinted on the abusive sheer mindless petty intrigues and enforced hack writing!
And so, my version, synthesized from the ideas posted by many others, never saw the light of day. Until I put up this page myself.
The SYI experience, the good and the bad, has factored into my own proposal for Online fiction writing community and my fanfic oriented demos, first 'Star Trek: The ship of Fools' and then the SLIDERS Brainstorm, a fan project I actually undertook by request.
Alas, however, this was only feigned interest, bait by which I was drawn in that only got me more abuse for my trouble.
But, in retrospect, I really should have expected that anyone who signs all their posts with perfunctory and insincere "blessings" might be just a little creepy! And so, I found my self at a Coffee Klatch by Innocence Abused ensconced amid The Swarm!
I ask you! Shouldn't the etiquette be suited to whatever undertaking, rather than the activity or the objective being compromised for etiquette? Otherwise, where the fun in any of it? And what are the principles of the etiquette imposed? I'll tell you what they are! Mindless conformism, bullying and sycophancy that stifles creativity! Just more touchy feely hypocrisy.
I only hope that I've managed to infuse half as much drama as I've pit up with, into the actual story! Enjoy...
As ever, theWRLDSTOCK draft remains open to input and ongoing revision on the SLIDERS Brainstorm. |
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TEASER
1. EXT. A LARGE FIELD - AFTERNOON
2. CUT TO: EXT. SAN FRANCISCO PARK - AFTERNOON
Diana and HER DOUBLE converse excitedly.
Diana discloses how a domineering
male mentor, quite frankly made her all she is today, and vaguely states that
she
might very well have amounted to nothing
without him. But you (alt-Diana)
have shown me how it's possible to make
other choices and excel in any
number of quite different fields. Alt-Diana
being an accomplished
Ethnographer. Alt-Diana, how ever, is still
just amazed how alike they look.
Then her cell phone rings. It's the other
Sliders. Alt-Diana strains to even
hear Remmy, with all the loud music on the
other end: A grant? Really! Bring
her on by! Yes, she's here. -Gives the cell
phone to Diana. Remmy tells
Diana to get lost before they come, or the
jig is up. Diana looks at her
watch, makes an excuse, and splits.
3. CUT TO: INT. ALT-DIANA'S HOME - DUSK
Remmy and Maggie are there with alt-Diana.
Mary is just leaving. Mallory is
raiding the fridge in the kitchenette. Alt-Diana
is thrilled to get the
generous grant! But there's so much work to
do, and since the research
involves Black music, she gratefully offers
to hire Remmy to assist. Remmy
has convinced her that he is a human decoy
double who's regular job it is to
protect the now captured Lieutenant Rembrandt Brown. And that Diana may be
called upon to act as Diana's decoy
protector. But she is perplexed by
another matter entirely:
There are subtly mistaken historical
references in Mary's grant proposal, a
list of questions. Strange allusions to
events that never happened, or that
actually happened quite differently! But
Mary, departing, only makes vague
apologies for messing up the draft, and
simply instructs alt-Diana not to
worry, but to simply make historical
corrections of any mistakes, however
she sees fit, and then reinterpret the
questions intelligently.
4. EXT. ALT-DIANA'S HOME - DUSK
No sooner is Mary out the door, then she
slides! (Musical sting:
"Mary, Mary. Where ya' goin' to?")
4.a. INT. ALT-DIANA'S KITCHENETTE - REFRIGERATOR LIGHT
Mallory pulls out the timer from his
pocket to observe as it reacts,
tracking Mary's wormhole!
5. INT. A SUMPTUOUS PENTHOUSE ATOP A
TRANSOM OF THE GOLDEN GATE BRIDGE -
DUSK
TV in the background: ROBIN LEACH:
"The influence of celebrities and
politicians (a fading distinction), casts
an even longer shadow on our modern world of
eclectic Shamanistic Ancestor
Worship, Thanotology, mass Cryonic
resurrection (Hallelujah! Brrrr!) after
the carnage of The Big One, cloning, and
memory archive and transfer. Yes,
as those well to do and cyber-chic Off World
tourists delightedly discover,
there are a legion of Crying Men on this oh
so blessed Earth! For the Crying
Man has even reunited the Spinning tops (More
like the Spinning Rembrandts!)
all on his multiple lonesome! Down on his
luck, Rembrandt Brown, the Reggae
Blue Grass singing sensation, has parlayed
his cloning royalties into a
pinnacle of power as possibly the world's
greatest recording Mogul, from
which he masterminds yet another marketing
coop. The one which he hopes will
permanently establish him, and also set him
free."
CUSTOMIZED OPENING CREDIT SCENE
I. EXT. SAN FRANCISCO
FADE IN indicating some passage of time.
Change of cloths for all.
Alt-Diana, astonished, comes upon the
Sliders opening their wormhole as the
timer counts down! Diana takes alt-Diana (still
agog, as Remmy, Mallory, and
Maggie each leap into the vortex) firmly by
the shoulders and, feeling that
she is owed an explanation, speaks to her
before also departing:
"What if you found a portal to a
parallel universe? What if you could slide
into a thousand different worlds where it's
the same year and you're the
same person, but everything else is
different?"
-As Alt-Diana watches Diana leap into the vortex, just as it closes...
-FADE INTO opening montage...
ACT ONE
6. EXT. SAN FRANCISCO PARK - DAY
The vortex opens, disgorging our heroes,
tracking Mary's wormhole. The
Sliders disperse and investigate. The park
seems to be filled with people
singing, harmonizing in counterpoint, and
dancing on this balmy day. Some
even seem to be singing into public vid
phones and laptop and palmtop
computers! Everywhere there is an infectious
blend of African music styles
with Blue Grass and Cajun Zydeco. Soon
Mallory returns to drag the others to
the blood bank that he has discovered.
Meanwhile, nearby and just out of sight, hapless Collin materializes...
7. INT. BLOOD BANK - ANNOYING FLORISSANT LIGHT
8. EXT. BLOOD BANK STREET - DAY
Exiting the blood bank, our heroes are
accosted by an obnoxious bawdy Pirate
Captain, a DOUBLE OF CONRAD BENNISH JR., and
his Gilbert and Sullivan
musical music and video PIRATES (They Might
Be Giants together with Pen and
Teller) who direct our heroes: "If yea
be that all fired desperate for
booty, arr mateys! to some work under the
table, where there are no
questions asked, me lads and fair maids!"
"And no _back_stage_pass_
required. Awrk?" Squacks Pirate Capt'n
Bennish's PARROT. -local slang for
work visa, the Sliders surmise. But
unbeknownst, Mary, now in decidedly
slinky civvies, is watching from behind the
tinted glass of a limousine!
"Aye, any brave new pirate recruit
worth their salt fears not to earn their
keep shedding blood." muses Mary to
herself "But someone else's, not their
own." She sighs.
9. INT. CAFE BOOK STORE - EVENING
9a. EXT. CAFE BOOK STORE - EVENING
The fleeing garage band of Gilbert and Sullivan musical Music and Video
Pirates scatters past him out the door, as
Remmy steps out to the public vid
phone...
10. CUT TO: INT. COURT ROOM - WINDOWLESS, GOOD ELECTRIC LIGHTING
Presently, the judge's brain is injected
with RNA encoded arguments from all
sides, disconcertingly enough, by another
RICKMAN DOUBLE, and lapses, near
comatose, into "deep deliberation".
Verbal (or musical) argument will be
reserved until a new jury is empanelled for
the main proceedings, as needed.
ACT TWO
11. INT. LAW OFFICE/PRISON COMPLEX - MORNING
Under Tiffany's watchful guidance, Diana,
still winging it as paralegal,
continues researching the pertinent case law:
Indeed, the Sliders come into in peril of
their lives being that a prior
genetic copyright torts proceed from the
case of one identical twin suing
the other for 'infringing' on his DNA
copyright. The court unable to
determine who was the original copyright
owner, sentenced both to death.
That means that alt-Remmy is also risking
his own life just to hold on to
his pirated music and culture. Worse still,
the Sliders defense, based upon
the argument that DNA pre-exists any
individual claiming patent on their own
genome, also undermines the proprietary
nature of that which Remmy accuses
his double of stealing!
Other legal precedents on this world are no less astonishing:
Royalties must be paid to the Crown for
the use (and abuse) of the Queen's
English. (This is being legally contested by
a group of historians.)
TV set in the background: "Bill
Clinton filed counter-suit against Monica
Lewinsky today for attempting to capitalize
from his copyrighted material.
Lewinsky claims that the dress is her
property, but Clinton claims that she
is trying to make money off the presence of his famous genetic marker on
the fabric..."
The Sliders are reviewing a stack of
legal papers, all routine, for them to
fill out and sign. Embroiled full time in
litigation, with no royalties from
any of a broad range of intellectual
property, the normal means of
livelihood on this world, and denied vital
medical coverage until the legal
matter is resolved, the Sliders are offered
an exemption, routine under such
exigent circumstances, from San Francisco
law of obligatory membership in a
musical ensemble. For music is the primary
engine of grass roots politics,
much prized in San Francisco.
Diana downloads the 'Welcome to San
Francisco' video travelogue from the
local Chamber of Commerce (The voice track -provided
by Majel Barrett- is
sped up, but the pitch is lowered back to
normal for intelligibility.
Lightening quick animation by Mike Jitlov.):
In preliterate culture, before anything
could simply be written down, melody
and rhyme where vital to Memory Theatre, a
formula of mental associations
for continually retaining ever more vast
quantities of rote information.
Ballads, revised, learned, sung, and passed
on across the country side,
where mass communication, of news and
editorial. Music was also consensual
validation, sympathy and protest. Criminals
passed secret messages in clever
rhymes, and slaves sang out warnings to help
one another escape. On this
world, such traditions endured into the age
of electronic communications, to
become an unprecedented mechanism of highly
articulate and broad based Grass
Roots politics, far beyond the scope of 60's
political protest songs. This
is what has been going on all around our
heroes since they arrived!
The Sliders, watching the digital
presentation, realize that on this world,
the Woodstock inter-generational
reconciliation was not followed by the
Reactionary backlash of the late '70's. The
strong and culturally eclectic
legal system helped to take the wind out of
the government's crack down on
the Counter Culture. Also, in the face of
rising social tensions, a strong
Psychiatric Behaviorist movement arose,
pushing for universal musical
literacy and practice, shown to have value
as an expressive outlet
preventing outbreaks of violence. Also,
mandatory membership in musical
ensembles helps to prevent the detachment
from society producing loners who
may otherwise tend to go Postal!
The Worldstock Musicological
Congressional Record is transcribed in the form
of an historical ballad. Dueling banjos,
battle of the bands, counterpointal
duets, and the like, scheduled or
spontaneous, at the discretion of the
conductor/chair person, are the accepted
modes of political debate on the
floor of the Musicological Congress at
Worldstock in San Francisco.
Musical politics among the musically
literate is something of an ongoing
referendum. And scheduled election times may
be somewhat de-emphasized, as
bands/ensembles rise and fall on the agenda
charts, continually. The course
of history has been changed by single agenda
one hit wonders!
The San Francisco legal requirement of
resident membership in a musical
ensemble began to protect the special
franchise of the Activist musicians,
both resident and visiting, who are
privileged to be in San Francisco
because of the work they put in, and to
ensure that the event will continue
to run smoothly. The law has also persisted
for it's favorable benefit local
polices and culture, and as a matter of city
pride. The obligation is not
unlike jury duty or National Service/ the
draft.
Yes, without music one can still vote.
But a high per capita average musical
ability gives the common citizen access to
politics at the grass roots,
because a catchy sting or rhyme caries
through out the community, physical
and electronic, subject to mutation. Indeed,
the Sliders begin to realize
that they have observing this process since
their arrival. Thus there is
consultation and input from anyone who
speaks the language and can carry a
tune! Those who can't are disadvantaged,
despite the prevalence of signing,
which is catching on. The entire society is
truly musically democratic.
Politicians are the most masterful and
influential musicians. Voting is only
the end game.
A talking computer interprets young Tiffany's signing, as she notes that:
Inspired, Remmy persuades the others
decline the routine exemption, and
resolve to use the publicity of their legal
battle to take the issue, and
the music which Remmy's greedy double seeks
to hoard for his own profit,
straight to the people! We'll work this
crazy system yet!
12. MONTAGE: VARIOUS LOCATIONS - NIGHT WEARING INTO THE EXHAUSTED WEE HOURS
And so, the Sliders each sally off to
join musical ensembles in accordance
with San Francisco law.
-Even, unbeknownst to the others, Collin!
13. INT. THE BOOK STORE CAFE - NIGHT
Adapting to the different unfamiliar
musical styles all day is challenging,
even if rewarding. Indeed, Remmy did try
his hand folk protest songs in his
youth, but soon decided that if he ever
wanted to become a preacher he'd
just go back to Gospel music! (Also unknown
on this strange world.)
Remmy, not always mindful of the
political context, enjoys belting out from
his accustomed repertoire, a crowd pleasers
even here. But to this
politically conscious audience, grasping for
a context for this novel new
music, 'Cry Like a Man' becomes an anthem
for Men's Liberation from Macho
emotional repression. But even as Remmy
sings...
14. MONTAGE: VARIOUS LOCATIONS, THE PARK, STREET CORNERS, VID PHONE CALLS TO PRISON INMATES, NEWS FLASHES...
15. LATER, INT. THE BOOK STORE CAFE - DAWN COMING UP
15a. EXT. THE STREET - GLORIOUS SUN RISE
-where they soon find Mallory, moping
around. We don't hear the dialog. But
the body language and gestures are
conciliatory. Maggie pats Mallory on the
shoulder. Diana smiles a lot. Remmy mock
boxes with Mallory. Mallory is
cheered up again.
Strolling away, the Sliders once again narrowly
miss bumping into Collin.
ACT THREE
16. INT. THE BOOK STORE CAFE - EVENING
The back wall slides away, opening up the
book store cafe to a warehouse
space shared by other stores and businesses.
ZOOM IN:
16.5. INT. THE BOOK STORE CAFE AND ADJOINING WAREHOUSE SPACE - EVENING
The Sliders, visibly in solidarity with
Mallory, are now their own band,
playing to a Rave! Mallory, the wanna be
Rock and Roll rebel, lives out his
fantasy! Remmy's association with prison
reformer Algernon Jervais
galvanizes the Sliders a following among the
underground underclass among
whom they have abided, from their own
illegal arrival in San Francisco:
A rough crowd of outlaw bikers, patent
violating cheap knock off artists,
and Gilbert and Sullivan musical music and
video pirates, forming
unrecognized garage bands, living in San
Francisco on the sly and infesting
Worldstock. (But, heck, if it's not
dangerous, then it ain't Rock and Roll!)
17. EXT. AN RV PARK - A BEAUTIFUL EVENING
Slumming with Remmy's double's consort,
Mallory encounters among the
underclass and dissidents the growing number
those deafened by the high
decibels. They who mutely dance sign
language in eerie silence at the RV
parks of those promiscuous free lovin' old
fart retiree rebels, the Flower
Grands, many of whom wear hearing aids. One
shy furtive and withdrawn deaf
mute girl gets a cute little crush on wanna
be rock star Mallory. She lifts
her veil, when Mallory turns away to confer with Remmy's double's consort.
The little deaf mute dancer is the Slider's
lawyer, Tiffany August!
18. INT. BAR/DINER & EXT. PARKING
LOT, SAMANTHA'S HAUNT, A ROUGH AND
DANGEROUS BIKER BAR, SMOKER'S - NIGHT
19. INT. WANDA WOMAN'S APARTMENT - DAY TIME
20. MONTAGE - DAY WEARING INTO LATE NIGHT INT. ALT-REMMY'S PENTHOUSE AND VARIOUS LOCATIONS THROUGH OUT SAN FRANCISCO
ACT FOUR
21. INT. THE BOOKSTORE CAFE - STAGE
LIGHTS - BLACK AND WHITE - THE NEAR
FUTURE - EXCERPT FROM MTV ROCKUMENTARY
Insert edited archival footage illustrates monologue:
Conrad Bennish Jr. being interviewed:
"From that compounded romantic let down
of Mallory's, Remmy, from his deep
appreciation of the other Earthly Blues
form, mentored Mallory to *find his
voice*, and become the admired musician he
is today, on the basis of that
honest raw expression, which we now know as
*Rock and Roll*, to make up for
Mallory's decided lack of polish. Mallory
began to respond musically to
life, growing beyond bad imitations, phony
musical derivative cliché, and
just that half assed air-guitar bullshit.
And his concise social
observations are sometimes reflected in the
legislation of the day. But
Mallory soon found himself increasingly
creatively interested in pantomime
expression, as if something was just, I
don't know, finally dawning on
him." - Says Bennish, grinning
obnoxiously, while pointing to his cranium,
in mockery, so as to indicate that he
remembers Mallory as someone slow on the
uptake.
Voice off camera, pan, it's Mary!
"What gradually occurred to Mallory was
that all along, it had been Tiffany
August, the Sliders' shy and withdrawn deaf
mute Public Defender, who really
cared for him and looked out for him."
She smiles. It's so romantic!
22. EXT. THE RV PARK - DAY - FADE INTO
COLOR, SIGNIFYING RETURN TO CURRENT
TIME FRAME
But when he goes looking for her, she has
already moved on with the rest of
the RV folk, and disappeared. But Mallory is
intercepted by a ROSS J. KELLY
DOUBLE (the shyster from season one). The
Slider's case, increasingly high
profile, has been reassigned to a senior
partner causing Tiffany to resign
from the law firm in angry protest! "I
will fight for you!" Ross
enthusiastically promises Mallory, who could
hardly care less.
23. INT. THE BOOK STORE CAFE - AFTERNOON
Returning dejectedly to his friends,
Mallory is somewhat consoled to learn
that his deferment has been rejected!
Mallory is finally taken seriously.
And the Sliders are breaking through to the
mainstream! The ramifications,
in dizzying detail, of sliding, have risen on
the musical political agenda
charts.
24. CUT TO: EXT. THE GOLDEN GATE BRIDGE - SUNSET
(To the 'Sliders' second season opening theme.)
You won't find
search forever
I don't mind
what you say
Other fates
Sound of thunder
All unknown
Hell to pay
Wide my eyes
Stunned with wonder
All I loved
Slid away
Unexpectedly affecting where initially least welcomed:
25. INT. THE PRIVATE BOOTH OF ALT-REMMY - SUNSET
26. EXT. STAIRWAY - SUNSET
27. INT. THE PRIVATE BOOTH OF ALT-REMMY - SUNSET
Remmy's double, enraged, then storms in
to confront Wanda Woman, making
foul accusations of her of conspiracy with
his agent to exercise the clonal
replacement clause, and thus hold on to a
controlling share of Remmy's
double's DNA equity. Because the agent
feared that Remmy's double could
succeed in making enough money licensing an
archive of music from other
Earths, to buy out his agent's controlling
share even at current value, as
per contractual provision.
28. EXT. THE GOLDEN GATE BRIDGE - SUNSET
-Exactly as they Sliders' are singing down on the bridge below...
And the assembly goes wild, as the vortex opens before their very eyes!
29. INT. THE PRIVATE BOOTH OF ALT-REMMY - SUNSET
FADE
CONTINUED
COPYRIGHT © 1999 - 2001- 2002 - 2003 - 2004 - 2005 - 2007 - 2015 by
Aaron Agassi ON BEHALF OF ALL
prior CONTRIBUTORS
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